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Galliano said he found the cinematic cue while thinking about Lauren Bacall. “She was a great Dior client; there are amazing photos of her in the salon with Bogart. It was that and Arletty in Hotel du Nord,” he said. That central character’s a provocative, smoldering femme fatale with a side-parted, over-one-eye hairdo and red lipsâgave him free reign to script a wardrobe narrative. It started with abbreviated wartime trenchcoats, flipped through silver lam dresses, arrived at a sequence in which the heroine is seen in her scanties, and then followed her out to make a drop-dead entrance in some nightclub or other.
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Formats available: Quicktime (.mov)
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